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Drawn by New York Six Centuries of Watercolors and Drawings at the New-York Historical Society

Roberta J. M. Olson

Published by GILES in association with the New-York Historical Society

Publish Date — September 2008 (UK and USA)

Dimensions — 448 pages, 292 × 229 mm (9 × 11 ½ in.), portrait

Illustrations — 235 colour and 30 b&w illustrations

Hardback price — UK£44.95 / US$85.00

ISBN — 1-904832-34-2

ISBN — 978-1-904832-34-8

Book Details (pdf) — Drawn_by_New_York_ai.pdf

Trade Orders — Please visit our Trade Orders section

Press Release — Drawn by New York wins highest award

Press Release — Drawn by New York: rare and novel insights into a...

Sales Points

“As lavish as it is weighty” and “Highly recommended” K. Rhodes, Drew University Choice

“the gorgeously illustrated accompanying catalogue provides informative commentary on each work” Antiques & Fine Art

“I also strongly recommend Ms Olson’s massive and outstanding catalog” The New York Sun

About the Book

The New-York Historical Society’s drawing collection is one of the earliest assembled in the United States, yet its trove of over 8,000 sheets and 75 rare sketchbooks is surprisingly unknown. Drawn by New York presents over 200 highlights, spanning six centuries, from 16th-century avian watercolours and a Dutch view of New Amsterdam (1650), to the façade of St. Patrick’s Cathedral captured from inside Rockefeller Center by Richard Haas (2002) and representations of the World Trade Center, both before and after September 11th 2001. There are works by Thomas Cole, Albert Bierstadt and John Singer Sargent, sheets by Asher B. Durand, and a cache of 500 watercolours by John James Audubon (including those for The Birds of America, 1827–38). Over 200 “Outline Drawings” by George Catlin record long-vanished Native American cultures.

Publication accompanies a travelling exhibition which opened at the New-York Historical Society in September 2008 (until January 7, 2009), moving to the Frances Lehman Loeb Art Center, Vassar College (August 14 - November 1 2009) and the Taft Museum of Art (November 2009–February 2010)

About the Author(s)

Roberta J. M. Olson is Professor Emeritus of Art History at Wheaton College, Massachusetts, and curator of drawings at the New-York Historical Society. She has curated exhibitions in the United States and in Italy. Previous publications include Italian Drawings 1780-1890; Ottocento: Romanticism and Revolution in 19th-Century Italian Painting; Italian Renaissance Sculpture and The Florentine Tondo