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Modern Masters

Exhibition Catalogues

Scripture for the Eyes Scripture for the Eyes Bible Illustration in Netherlandish Prints of the Sixteenth Century
Edited by James Clifton and Walter S. Melion; essay by Walter S. Melion and contributions by James Clifton, Walter S. Melion, Merel Groentjes, Todd Martin Richardson, Jamie Smith, and Wendy Thompson; Foreword by Ena G. Heller, Director of MOBIA

St George’s Chapel, Windsor St George’s Chapel, Windsor A Portrait
Eleanor Curtis

The Arnhold Collection of Meissen Porcelain, 1710-50 The Arnhold Collection of Meissen Porcelain, 1710-50 Maureen Cassidy-Geiger. Introduction by Henry Arnhold. Essays by Sebastian Kuhn and Heike Biedermann

The Charters of Freedom “A New World Is at Hand” The Charters of Freedom “A New World Is at Hand” Declaration of Independence, Constitution, Bill of Rights
Stacey Bredhoff, with a Foreword by John W. Carlin, Eighth Archivist of the United States

The Christian Story The Christian Story Five Asian Artists Today
Patricia C. Pongracz, Volker Küster and John W. Cook. With a Preface by Ena G. Heller, Executive Director of the Museum of Biblical Art, New York

The Cinema Effect The Cinema Effect Illusion, Reality, and the Moving Image
Essays by Kerry Brougher, Anne Ellegood, Kelly Gordon and Kristen Hileman. With a chronology of the moving image by Tony Oursler

The Magic of Remedios Varo The Magic of Remedios Varo Luis-Martín Lozano

The Public Vaults Unlocked The Public Vaults Unlocked Discovering American History in the National Archives
Thora Colot, Marvin Pinkert, Christina Rudy Smith, Bruce I. Bustard, Stephanie Moore, and William Sandoval, with a Foreword by Allen Weinstein, Ninth Archivist of the United States

This Anguished World of Shadows This Anguished World of Shadows George Rouault's Miserere et Guerre
Holly Flora and Soo Yun Kang. With a Preface by Ena Heller, Executive Director of the Museum of Biblical Art (MOBIA), New York

To Live Forever To Live Forever Egyptian Treasures from the Brooklyn Museum
Edward Bleiberg. With an essay by Kathlyn M. Cooney