Meissen Porcelain

The Arnhold Collection of Meissen Porcelain, 1710-50

Maureen Cassidy-Geiger. Introduction by Henry Arnhold. Essays by Sebastian Kuhn and Heike Biedermann

Published by GILES in association with The Frick Collection, New York

The Arnhold Collection of Meissen Porcelain, 1710-50 - Book cover

The Arnhold Collection of Meissen Porcelain, 1710-50 - Double page spread

The Arnhold Collection of Meissen Porcelain, 1710-50 - Double page spread

Publish Date — June 2008 (UK and USA)

Dimensions — 800 pages, 279 x 229mm (9 x 11 in.), portrait

Illustrations — 1,060 colour and 15 b&w illustrations, including 1 colour map

Hardback price — UK£140.00 / US$275.00

ISBN — 1-904832-44-X

ISBN — 978-1-904832-44-7

Book Details (pdf) — Arnold_Collection_AI.pdf

Sales Points

Publication accompanies a major exhibition at The Frick Collection throughout summer 2008

An invaluable source of reference for dealers, scholars and collectors

Features colour illustrations of more than 400 pieces of Meissen porcelain, the majority dating from the early period of the royal factory, 1710-1740

Includes catalogue entries, commentaries and scholarly apparatus

About the Book

The Arnhold porcelain collection is the most important of the great pre-war Meissen collections to have survived intact, remaining with the descendants of the original collectors. Most of the pieces date from the first decades of the royal factory established by August II, elector of Saxony and king of Poland, in 1710, featuring a broad range of early works, much of it experimental.

Most of the pieces in the Arnhold collection were bought by Heinrich and Lisa Arnhold from 1926-35, and most have royal or significant provenance. The collection was brought to America in the 1940s ahead of the family’s move from Dresden. Since 1974 Henry Arnhold has continued to expand the depth and range of the collection. The volume also contains major essays by Sebastian Kuhn, who studies the wider trends in collecting European porcelain between 1900 and 1960 in Europe and America, and by Heike Biedermann, who studies the Arnholds as collectors of modern art in Dresden from their marriage in 1914 until 1935. The catalogue is introduced by a personal recollection by Henry Arnhold of his family as collectors and art patrons in Dresden and how the porcelain collection was created.

About the Author(s)

Maureen Cassidy-Geiger is curator of the Arnhold Collection in New York, guest curator at The Frick Collection, and was guest curator at the Bard Graduate Center, for the recent exhibition there, Fragile Diplomacy: Meissen Porcelain for Foreign Courts; Sebastian Kuhn is a leading expert on European ceramics and was formerly Director of the European Ceramics and Glass Department, Sotheby’s, London; Heike Biedermann is a curator at the Gemälde Galerie Neue Meister, Staatliche Kunstsammlungen Dresden