Modern Masters

Exhibition Catalogues

One Hundred Stories One Hundred Stories Highlights from the Washington County Museum of Fine Arts
Edited by Elizabeth Johns. Contributions by Sarah Cantor, Margaret Dameron, Alan Fern, Angela S. George, Elizabeth Johns, Mary L. Pixley, Joseph Ruzicka and Ann Prentice Wagner

School House to the White House School House to the White House The Education of the Presidents
Contributors: The Archival and Museum Staff of the Presidential Libraries and the Exhibit Staff of the Center for the National Archives Experience Foreword by Allen Weinstein, Ninth Archivist of the United States

St George’s Chapel, Windsor St George’s Chapel, Windsor A Portrait
Eleanor Curtis

The Arnhold Collection of Meissen Porcelain, 1710-50 The Arnhold Collection of Meissen Porcelain, 1710-50 Maureen Cassidy-Geiger. Introduction by Henry Arnhold. Essays by Sebastian Kuhn and Heike Biedermann

The Charters of Freedom “A New World Is at Hand” The Charters of Freedom “A New World Is at Hand” Declaration of Independence, Constitution, Bill of Rights
Stacey Bredhoff, with a Foreword by John W. Carlin, Eighth Archivist of the United States

The Christian Story The Christian Story Five Asian Artists Today
Patricia C. Pongracz, Volker Küster and John W. Cook. With a Preface by Ena G. Heller, Executive Director of the Museum of Biblical Art, New York

The Cinema Effect The Cinema Effect Illusion, Reality, and the Moving Image
Essays by Kerry Brougher, Anne Ellegood, Kelly Gordon and Kristen Hileman. With a chronology of the moving image by Tony Oursler

The Magic of Remedios Varo The Magic of Remedios Varo Luis-Martín Lozano

The Public Vaults Unlocked The Public Vaults Unlocked Discovering American History in the National Archives
Thora Colot, Marvin Pinkert, Christina Rudy Smith, Bruce I. Bustard, Stephanie Moore, and William Sandoval, with a Foreword by Allen Weinstein, Ninth Archivist of the United States

This Anguished World of Shadows This Anguished World of Shadows George Rouault's Miserere et Guerre
Holly Flora and Soo Yun Kang. With a Preface by Ena Heller, Executive Director of the Museum of Biblical Art (MOBIA), New York