Fields of Vision

Fields of VisionThe Photographs of Russell Lee, The Library of Congress

Series Editor: Amy Pastan. Introduction by Nicholas Lemann. Series statement by W. Ralph Eubanks

Published by GILES in association with The Library of Congress, Washington, D.C.

Fields of Vision - Book cover

Fields of Vision - Double page spread

Publish Date — September 2008 (UK and USA)

Dimensions — 64 pages, 180 x 180 mm (7 1/8 x 7 1/8 in.)

Illustrations — 55 colour illustrations

Paperback price — UK£6.95 / US$12.95

ISBN — 1-904832-39-3

ISBN — 978-1-904832-39-3

Book Details (pdf) — Fields_of_Vision_AI.pdf

Sales Points

Part of a completely new photography series, from the internationally renowned collection of Farm Security Administration (FSA) and Office of War Information (OWI) photographs in the Library of Congress, which includes work by some of the greatest names in 20th-century photography

“We could picture the frontier which has unalterably molded the American character and make frontier life vivid and understandable.” Russell Lee

“It’s hard to think of any photographer for whom a more plausible claim can be made that he recorded the entire life of the United States (at least, for people in the bottom two-thirds of the income distribution) at a particular historical moment—what Toqueville did as a social observer, or Dos Passos as a novelist, or John Gunther as a journalist.” Nicholas Lemann on Russell Lee

About the Book

The approximately 77,000 photographs in The Library of Congress’ collection from the Farm Security Administration (FSA), later the Office of War Information (OWI), provide a unique view of American life during the Great Depression and Second World War.

This government photography project, headed by Roy E. Stryker, employed many relatively unknown names who later became some of the 20th-century’s best-known photographers, such as Walker Evans, Dorothea Lange, Russell Lee, Marion Post Wolcott, Arthur Rothstein and Carl Mydans. Initially conceived to document government loans to farmers and their subsequent resettlement in suburban communities, the scope of the project expanded to create a visual record of agricultural workers across the United States. Later, Stryker’s photographers recorded both rural and urban centers as the nation prepared for World War II.

Each volume in the Fields of Vision series features an introduction to the work of a single FSA photographer by a leading contemporary author or writer, and presents 50 striking images that show how the particular vision of these photographers helped shape the collective identity of America. Their evocative pictures transport the viewer to American homes, farms, and streets of the 1930s and 1940s, while offering a glimpse of a new narrative and intimate style that was later to blossom on the pages of LOOK and LIFE magazines. For many Americans of the pre-television age, the diversity and complexity of their country was defined by the lenses of these men and women.

About the Author(s)

Nicholas Lemann has published five books, most recently Redemption: The Last Battle of the Civil War (2006). Since 1999, he has been a staff writer for The New Yorker; prior to that he was national correspondent of The Atlantic Monthly for fifteen years, and he has written for many other publications. He is dean of Columbia University’s Graduate School of Journalism.